The Butcher writes

Living - as you do - with a Nameless Dread, I was anticipating the arrival of the JBC tribute record with some considerable furrowing of brow. It was surely going to be the Mother Of All Embarrassing Things. A number of good old pals were there for the losing. Just for afters, the last fifty people on Earth not to consider me a terminal wanker were about to have their minds changed for good. Walls would collapse as the Big Tanks rolled. Guatemalan rough-riders would pick off the stragglers in scenes of terrible peyote-crazed carnage. Frankly speaking, the whole project just seemed to ooze foreboding.

And so it rushed forward, chirping aggressively, with mandibles spread and antennae lashing.

Dave Coverly brought the record over on his visit here last weekend. When I asked him what he thought about it he gave his magic dry smile and said that he didn't want to say anything before I heard it. Fair enough, I thought, here goes..

And you know what? I really had a great time listening to it. Nobody got the words wrong (except those of you who got them all wrong on purpose), there's some great playing and, best of all, some wicked ideas.

Personally, the first time I played it, I started with Disc Two (Yeh, I know..) and I'm glad I did, if only for the extraordinary kick-off that it gave to what was threatening to be a scary experience. For the purposes of my wee review, however, I shall start where I should, at the beginning. I should also point out that, when I first heard the record, I had (with one or two exceptions) no idea who any of the recording artists were. I only looked up the track listing on the internet today when I went to put this piece together.

Conspiracy One

1. Sister Death Pt 2.
   by The Purelove (http://www.thepurelove.de)
   So the first noise you hear on the JBC tribute record is me, feeding back. Don't let anybody tell you that the Germans don't have a sense of humour. I love the Purelove long time. I played on their record. I played on their tour. They sneaked this mix onto the tail end of their album just to please me. What can I say?

2. Mr. Odd
   by Syd Meats & Johnny Jet (syd[at]-remove-meats7.freeserve.co.uk)
   Syd Meats is another old mate. We met in The Wold, but now he trades as Southampton's Leading Weird Bloke. I do believe that Syd and Johnny have distinguished themselves big style with this version. Beautiful fuzz harmonics, soulful harmonica, extra verse…nice! You know, I'm sure that you can buy Syd's recordings of his own songs too. I once saw him hold a room full of people in Lincoln absolutely spellbound.

3. Sex Engine
   by Sin Dex Industries (kenbmiller[at]-remove-aol.com)
   This one could have been a nightmare. As it is, it sneaks up in a naughty way and the next thing you know I'm having a right good time. What is it? Oh my GOD!!! Dirty lickle drum machine, lovely little organ-thingie hook and a great fuzztone surge. Top wildlife samples, plus namechecks for Manuel Noriega and Chairman Mao. What more do you want? I may be wrong, but this sounds like a great illustration of how inventive you can be with a 4-track. Cardboard box on the head, anyone?

4. Zombie Love
   by The Jung Generation (thejunggeneration[at]-remove-yahoo.com)
   I've seen these live. They played with us in Atlanta, and they were terrific. It's a big sound. Garrick learned the bassline to this tune when he played a wedding with Eider and me back in 1998. He has a Spacemen 3 sticker on his truck. Geezer! Here we find the band hurtling through the JBC tune in a wild punk rock style, with their influences on their sleeves and their amps on eleven. Good to see how the guitarist has nailed the patent proto-Verve one-finger freak-out towards the end. Actually, he's really good. See this band.

5. Nothing Special
   by Fat Little Demons (http://fatlittledemons.tripod.com)
   Whoa! Huge big dumb roaring sound! Fat guitars! Cheesy organ! Surely these guys are Americans? Guys, if you're British or something, you listen to too much Foo-Fighters. Which is no bad thing. I wish our version of this song sounded so good. You've done a fantastic job on it.

6. Harlan
   by The Limit Club (crupi2000[at]-remove-aol.com)
   I started off with this wondering "Is that it?" Oh my, was that dumb.. When that first verse ends and the band comes crashing in over the feedback..Whoa! Yea verily, two "Whoa"s in two versions. I really, really like this version. Another huge great American rock sound and a great vocal. It sounds to me like this is a real gigging band who'd be well worth seeing. And I love the "So tough" at the very end.
   (By the way, does anyone know - does this have anything to do with The Limit nightclub in Sheffield? I'll never forget David J's face when two young girls after a Sheffield gig offered to take him to The Limit.)

7. Down The Drain
   by Marko Van Haddock (markg[at]-remove-vanhaddock.fsnet.co.uk)
   Mad as a sack of Teletubbies. Eider's poisoned folk song reborn as a KLF demo with MC Shadow. There is no way that I was not going to love this, and 'deed I do. Westside!

8. The Good Ones
   by Purple Fish (tontodisco[at]-remove-marlintexas.com)
   Still in no-fi land, though there's absolutely no shame in that. You should have heard some of the early JBC demos.. This is one of those tunes, like Harlan, that it's great to hear performed by some real North American-style rock musicians. No fancy shit, no gimmicks: bass, drums and two guitars. I wrote this for my pal Stuart Kay after he had died at 28. I wonder what he'd say about all this.

9. Sister Death Pt. 1
   by The Purelove (http://www.thepurelove.de)
   Well, again I play on this, so I can't really comment, except perhaps to grass Fidel up for programming the whole thing in 4/4, which made crossing the spooky bridge immensely difficult but rather a laugh. I love the vocal and the big Hammond swoops. Who says Germans don't have a sense of humour - have a laugh with The Purelove and buy their album.

10. Still and All (Strangest Kind of Flavor Remix)
    by Books On Tape (ksmith[at]-remove-lerningkerv.com)
    Out come the samplers! Almost more of a remix than a cover, which is cool by me. A serious Formby Feedback Fest, which does slightly resemble his own excellent Triumph 2000. Grim, lush, theoretical and more than faintly horny. These are words which I never envisaged myself typing about "Still and All". Goes to show the value of schemes like this one, I suppose.

11. The Human Jungle
    by Jennifer & Al (mail[at]-remove-alavery.net)
    Yo, Jennifer and Al, are you expected somewhere else? Bright and sprightly, but coming after what has gone before it sounds a touch over-eager. Tuneful, professional and that, but for me it doesn't bring a lot to the tune that wasn't there already. Sorry team, but you sound quite good enough to get along without my say-so anyway.

12. Girlfriend
    by Once In The Sun (onceinthesun[at]-remove-aol.com)
    My initial thought was "Wow! Are these Japanese?" Then, in short order: Italians, Dave Kusworth and Nikki Sudden, Swedes, Dean Wareham or a long-lost Felt rehearsal tape. Then I got it - come on out, Peter Perrett, and keep your hands where I can see 'em.. Classic no-fi recording values and one evil punk rock vocal. My God, this takes me back to the eighties, and I don't mean Dire Straits or Bauhaus. Love that last line..

Conspiracy Two

1. Chinatown (Sly Wong Mix)
   by The Gong Factor (info[at]-remove-plasticcastle.com)
   All right, it was written in all innocence, but I probably had a slap coming over this one. Thing is - I love it. I love having my bass playing sampled. I love the mental-olliental noises. I love the kung-fu fighting break in between verses. This tune had jaws dropping and toes tapping at the JBC ranch. We hear Sumo, we hear Black Eg, we hear Screaming Jay Hawkins. We hear healthy disrespect, serious sampling espionage and a rampant imagination. We hear all the stuff we love to hear. Eastside!

2. Partytime
   by Muppet Ranch (briandmage[at]-remove-aol.com)
   Sly name, Young Team! Trouble is - you're not muppets at all, but clearly ladies and gentlemen of the world and Deep Loungecore Warriors. Beautiful vocals, lovely groove.. absolutely gorgeous version - absinthe all round! (If that weren't enough, I happen to know that these are some of the nicest people in Minneapolis.)

3. Angels
   by Patrick Kinney (peejays[at]-remove-grafike.com)
   Classic American stylings here - eggshell fragile and as delicious as anything, with a riveting androgynous vocal. It took us ages to work out if that were a boy or a gurl, Leroy. I'm on record as saying it would be better if it was a boy, by the way: I remember David Surkamp. He does clever things with the guitars as well, adding neat passing chords and some lovely electric lines. Another top version, bedad!

4. Filth
   by Vergiftung (http://www.adjective.com/vergiftung)
   These men are seditious deviant oddballs who should be pursued by The Authorities, yea even unto Florida. Not content with re-writing the riff, the bassline and the arrangement, these insatiable thrill-seekers then turn on the Poor Bloody Lyrics as a scary (and probably bald) loner mumbles in a minatory fashion about waitresses. Genuinely unnerving depravity involving The Jacksons, The Rev. Botus Whiteblood-Fleming and some seriously underground sampling. Dangerous, evil and mad. On the bright side, it does mention a stegosaurus..

5. Southern Mark Smith
   by The Marble Tea (http://www.marbletea.com)
   Resurgens.. Busting out of the South come The Marble Tea with a super-urbane reworking of the tune that mildly annoyed a generation. Drop-dead cool singing and some excellent mental squeaky noises going off in the background grace an otherwise surprisingly faithful version. For what it's worth, this sounds just as odd now as when it came out back in the 17th Century. Wild Casio-Fu in the hood. Southside!

6. Mind Like A Play Group
   by The Zamboni's (http://www.thezambonis.com)
   Mark Refoy returned from a Slipstream show in Philadelphia or somewhere like that with unlikely stories of meeting a band who dug the JBC and played ice-hockey anthems. Here is the living proof! A really neat version of a song that I thought I was happy to have forgotten. I like the ice rink noises and the way it all picks up and gets "proper" at the end. Wish we'd thought of that..

7. D.R.I.N.K.
   by Half Assed Snackers (irmss[at]-remove-aol.com)
   I know these men..which is a bit of a shame, because before I found out who they were, I was looking forward to saying how much I had enjoyed the Alien Sex Fiend version of Max's theme tune. I still do enjoy it, though, as I think of these shadowy and ill-intentioned individuals lurking deep in their secret Manhattan headquarters, guzzling Power-Martinis and flying the flag for middle-aged sociopaths WORLDWIDE.

8. Forever
   by Gin Boy & the Whiskey Kid (nsatkinson[at]-remove-aol.com)
   Nice, spooky intro followed by abrupt tape edit and suspiciously louche rendition of JBC paean to global promiscuity with disturbed vibraphone solo. Having just seen "The Crow" with Brandon Lee, I liked the encouragement to arson, though I thought the "copulation" bit was a touch heavy-handed, gents.. had we possibly had a drink?

9. Girls Say Yes
   by Darling Clementines (misterscout[at]-remove-hotmail.com)
   This is absolutely drop-dead gorgeous. It's one of a very small number of my tunes that I think might be any good anyway, and this version is just swell. It sounds almost like "Workingman's Dead" or "American Beauty", and - astonishingly - I mean this as a recommendation. Perhaps Camper Van Beethoven or The Blacks might be more contemporary references. The Southern-Gothic stylings really suit the song. If you knew the JBC and were thinking about getting this record, this would be the track that I would play you first. Pristine and lovely. I could talk for half an hour about the snare drum sound for Heavens' sakes. Yeah, colour me thrilled, flustered and flattered to shit. I would love to hear more of this band..

10. Whaddya
    by Fuel Burning Oracle (tom69[at]-remove-metro.quik.com)
    Sweet and moody from the East Coast monk of kung-fu. Elegantly simple programming, plenty of gratuitous dinosaur stuff, and some of the most spectacularly erratic rhythm guitar known to man. Top one, Tom! Thank you for the music!

11. Only A Rumour
    by Green Fiend (madgdv[at]-remove-yahoo.com)
    A brave choice of tune for the psychedelic warriors of LA, and a wholesome edifice of tape hiss on which to build it: my kind of people, having my kind of fun. A sweet and largely faithful version, in which Gloria drops a magnificent bass slide into Verse Two and Mark actually succeeds (more or less) in playing two different guitar parts simultaneously at the end. Parched, cool and beautiful, just like the people who made it.

12. Nightmare Being
    by Pandas Relax (relaxpanda[at]-remove-aol.com)
    This tune was originally conceived around Laurence O'Keefe's bass part, which is totally absent from this version. In fact there's no bass at all, which is a bit weird. Surely no panda can truly relax without a thick old bottom end to rest on? Nor do I quite understand what the singer is up to. Does he really know Kizzy? Why is he quoting Alex Green at the start? Is Peter Lorre really dead or not? Top Jack Kennedy sample towards the end, but I'm afraid that I just don't get it. Sorry.

13. Big Saturday
    by uncletoe's portasound (uncletoe[at]-remove-mindspring.com)
    This gave me the fright of my life when a friend played it to me down the phone, but it's much sweeter and lovelier in real life, as it were. That's a neat tremolo on the electric guitar, and I like the way that the bass takes one of the lead guitar parts in the middle. This actually sounds a lot like the original JBC demo. Except for singing, which is much nicer. It reminds me a little bit of Angel Corpus Christi, which - in my book - is No Bad Thing. JBC music from New York City- if you'd told me this would happen back in '83, I'd have freaked right out!

14. Penguins
    by Heuristics Inc. (http://www.heuristicsinc.com)
    Now this here is mental. Bringing the sensibility of the Von Daemmerung Brothers to the Great Antarctic Twelve-Bar, Heuristics Inc. baffle your correspondent with flappy drums and far-off, grumbly singing. At first I couldn't see the virtue in this - now I'm not so sure. The penguin sample at the end may have had something to do with that. Skin up..

Hearty congratulations and thanks to all involved! You'll be hearing from my Solicitors shortly.

Pat Fish
NN1 6th December2000

PS - Have a rockin' good Christmas!

* UK Reader ~ Coverly and the JBC had their photo on the front page of the Guardian. We happened to be riding in the London Eye when the Christmas fireworks went off. We're up there at the top of it in the sky. Thank you.